Romance + Genre
I created the genre imprint Bryant Street Shorts for Scribd (now Everand) as a fast-fiction publisher aimed at developing new talent to meet the demands of our users. Guided by broad sets of user consumption data (from both internal and external sources) I positioned BSS as a destination for Scribd’s most voracious readers.
The imprint was built to run multiple production points in tandem, which allowed us to move from pitch to publish in roughly eight weeks.
I managed writers, narrators, editors, and cover designers. My goal was to create a collaborative environment and, in doing so, I was able to build a machine that reliably produced 15 original e-books and audiobooks (30 content pieces total) month-over-month. In this role, I wore many hats, but mainly I was the producer, managing editor, and publisher.
Notable Titles
A rare BSS entry in the body-horror genre, this novel follows a group of women in a trial for a transformative new meal replacement who get more transformation than they bargained for.
Lydia is one of my all-time favorite writers, and watching her career grow has been one of the true joys in my life.
Matt has changed drastically from the hyper-masculine man he was fifteen years ago, embracing fatherhood, divorce, and a quieter life selling pies in his hometown. Though his neighbor Heath is initially wary, their shared love of baking turns into a deep friendship that leaves Matt questioning feelings he’s never had before.
Another of my favorite authors, a pleasure to work with and a master in her craft.
And, finally, one of my favorite things about running Bryant Street Shorts was that it gave me the excuse to flex my scrappy side. Here’s a trailer I made to capitalize on BookTok using only free stock footage and editing tools.